Atmosphere and Mood: Two Sides of the Same Phenomenon, edited by Martina Sauer and Zhuofei Wang, New York and São Paulo:
Art Style
11, 2023.
Multimodality. The Sensually Organized Potential of Artistic Works, edited by Martina Sauer and Christiane Wagner, New York and São Paulo: Art Style 10, 2022.
Bilder als Agenten kultureller Transformationsprozesse, edited by Martina Sauer and Jacobus Bracker. Tübingen: IMAGE 36, 08, 2022.
2nd ed. 2022. Heidelberg: arthistoricum.net.
On The Material Image. Affordances as a New Approach to Visual Culture Studies, edited by Elisabeth Günther and Martina Sauer, New York and São Paulo: Art Style, 7, 2021.
2nd ed. 2021. Heidelberg: arthistoricum.net
On the Postmodern Age, edited by Martina Sauer, New York, São Paulo: Art Style 6, 2020.
2nd ed. 2020, Heidelberg: arthistoricum.net.
Josef Albers, „So ist Kunst … Erlebnis“, mit einem Vorwort von Ulrike Growe, Josef Albers Museum Quadrat Bottrop [Bauhaus Presonenreihe, hg. v. Elke Beilfuß], Weimarer Verlagsgesellschaft: Wiesbaden 2018.
Review on Amazon
Ikonische Grenzverläufe. Szenarien des Eigenen, Anderen und Fremden im Bild, edited by Martina Sauer. Tübingen: IMAGE 28, 2018.
2 nd ed. 2018. Heidelberg: arthistoricum.net
Faszination – Schrecken, Zur Handlungsrelevanz ästhetischer Erfahrung anhand Anselm Kiefers Deutschlandbilder. 2nd edn. Heidelberg: arthistoricum.net, 2018
In the first edition awarded in the field of theory by the Hans-und-Lea-Grundig-Award 2015 of the Rosa-Luxemburg-Foundation [Berlin, 26.11.2015]
Cézanne – van Gogh – Monet, Genese der Abstraktion. 2 nd ed. Heidelberg: arthistoricum.net 2014.
PhD thesis with Gottfried Boehm, Universität Basel, Switzerland, 1989
Faszination – Schrecken, Zur Handlungsrelevanz ästhetischer Erfahrung anhand Anselm Kiefers Deutschlandbilder. Heidelberg: arthistoricum.net 2012
Awarded in the field of theory by the Hans-und-Lea-Grundig-Award 2015 of the Rosa-Luxemburg-Foundation [Berlin, 26.11.2015]
Das Weimarer Modell. Jahrbuch der Fakultät Gestaltung, edited by Martina Sauer. Weimar: Weimarer Verlagsgesellschaft 2009, vergriffen, antiquarisch
cf. for more information: Bauhaus University Press
Kunstpfad am Mummelsee. Faltkataloge, edited by Martina Sauer, 1999, 2000, 2001, 2002
Cézanne – van Gogh – Monet, Genese der Abstraktion. Bühl 1999/2000
PhD thesis with Gottfried Boehm, Universität Basel, Schwitzerland, 1989
Paul Cézanne, Leben und Werk. Dortmund: Harenberg, 1991
Züricher Hochschule der Künste, Institute for Cultural Studies in the Arts
2012, May to September
Research project at the Institute for Cultural Studies, Prof. Dr. Sigrid Schade in cooperation with the University of Applied Sciences Northwestern Switzerland, Basel, Dr. Martina Sauer, FHNW HGK and the Institute of Neurosciences, Parma, Italy, Prof. Dr. Vittorio Gallese with PhD student Katrin Heimann:
»Abstract.Amodal.Affective: Exploring Unconscious Aesthetic Processes in the Creation of Art/Design - A Contribution to the Question of Knowledge and Competence in the Visual Arts«
Project team:
Cooperation partner/practice:
Cooperation partner/theory:
Cooperation partners/young scientists:
Institute for Image and Cultural Philosophy,
Fresenius Hochschule, University of Applied Sciences
AMD Akademie Mode & Design Hamburg
and Institute of Technology Genua/Parma, Italy
Research Project in Hamburg/Germany
Summer Term 2022
Affective Perception and Design
together with AMD Hamburg / FB Design at Hochschule Fresenius: Prof. Dr. Petra Leutner and the Institute of Technology (IIT) Genoa/Parma, Italy CONTACT lab, Dr. Giuseppe Di Cesare and Giada Lombardi: https://whisperproject.eu/team-lab-robot and students from AMD Hamburg
June 13, 4 p.m. public guest lecture (hybrid) on "Affective Perception and Design" by Dr. Giuseppe di Cesare and PhD student Giada Lombardi ITT Genua/Parma, Italy, AMD / FB Design at Hochschule Fresenius, Alte Rabenstrasse 1, 20148 Hamburg, Room 1.01 (1st floor)
June, 14, lecures and workshop with students and the faculty: Giuseppe Di Cesare on "Affective Perception" and Martina Sauer on "The connection between vitals affects, vital forms and meaning formation: research backgrounds in cultural studies: Hamburg Circle 1919-1933"
German Society for Semiotics. International and interdisziplinary conference Signs.Cultures.Digitality. TU Landau, Germany
2024, September 24. -28.
DGS Panel Image & Fashion (Martina Sauer and Petra Leutner): Metaverse - KI and New Aesthetics? hybrid, D/En,. Program
CfP
of the panel image and fashion (hybrid, Ger/En) by Martina Sauer (image) und Petra Leutner (fashion) on
Metaverse - KI and New Aesthetics?
Keynote speech
Martina Sauer (image and cultural philosophy, Germany)
Giuseppe Di Cesare (neurosciences, Italy)
Vitality forms in action, speech, and design: a powerful communication tool for social interactions
Literature:
Di Cesare, Giuseppe et al. The neuronal basis of vitality forms. In National Science Review 7 (2020), 202—13
Lombardi, Giada and Giuseppe Di Cesare. From Neuroscience to Art:
The Role of “Vitality Forms” in the Investigation of Multimodality. In Art Style 10, special issue on Multimodality, edited by Martina Sauer and Christiane Wagner, 09/2022, 11—23
Lombardi, Giada, Martina Sauer and Giuseppe di Cesare. An Affective Perception: How “Vitality Forms” Influence Our Mood? In Art Style 11, special issue on Atmosphere and Mood, edited by Martina Sauer & Zhufez Wang, 03/2023: 127—39
Sauer, Martina. Abstract — Affective — Multimodal. On the processing of moving images following Cassirer, Langer and Krois. In Bildkörper. On the relationship between image technologies and embodiment, hrsg. v. Lars Christian Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz. Büchner: Darmstadt 2016, 46—71
Sauer, Martina. Developmental Psychology / Neuroscience and Art History - A Contribution to the Discussion of Form as the Basis of Perception and Design Principles. In ejournal.net, June 2011, 1—10
Institute for Image and Cultural Philosophy and the Department of Food and Drug Sciences, University of Parma, Italy
Research Project in Parma/Italy
Summer Term 2025
Neurosciences and Humanities:
Affective Perception - Synchronization Effects - Design
Projekt Team:
Dr. Phil. Martina Sauer (Image and Cultural Philosophie)
Dr. Med. Giuseppe Di Cesare (Neurosciences)
Charlotte Engelke (B.A. Candidate Design)
Project Description:
What constitutes synchronization effects (coordination processes) of opinions, ideas, attitudes in a community? Why and how do they occur? To what extent does this also take place through images?
They are the neuroscientist Giuseppe Di Cesare from the research group form Parma in Italy on mirror neurons and vitality forms and philosopher and image scientist Martina Sauer form the Institute for Image and Cultural Philosophy from Germany and her research on vitality semiotics (VS) and her former student, the B.A. candidate in design, Charlotte Engelke, form the Fresenius University of Applied Sciences, AMD, Hamburg, who in their joint research project in Parma are specifically investigating on a neuroscientific basis how synchronization effects are stimulated through design.
Literature:
Di Cesare, Giuseppe et al. The neuronal basis of vitality forms. In National Science Review 7 (2020), 202—13
Lombardi, Giada and Giuseppe Di Cesare. From Neuroscience to Art:
The Role of “Vitality Forms” in the Investigation of Multimodality. In: Art Style 10, special issue on Multimodality, edited by Martina Sauer and Christiane Wagner, 09/2022, 11—23
Lombardi, Giada, Martina Sauer and Giuseppe di Cesare. An Affective Perception: How “Vitality Forms” Influence Our Mood? In: Art Style 11, special issue on Atmosphere and Mood, edited by Martina Sauer & Zhufez Wang, 03/2023: 127—39
Sauer, Martina. Abstract — Affective — Multimodal. On the processing of moving images following Cassirer, Langer and Krois. In: Bildkörper. On the relationship between image technologies and embodiment, hrsg. v. Lars Christian Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz. Büchner: Darmstadt 2016, 46—71
Sauer, Martina. Developmental Psychology / Neuroscience and Art History - A Contribution to the Discussion of Form as the Basis of Perception and Design Principles. In: ejournal.net, June 2011, 1—10.
Sauer, Martina.Marshall McLuhan in a new light. Old and new methods of influencing emotions in communities of the electronic age. In: Lars Grabbe, Andrew McLuhan & Tobias Held (eds.). Beyond media literacy. Marburg: Büchner 2023, 14-32.
Sauer, Martina. Vitality Semiotics (VS) and the Implications of Synchronization in Frames. Highlighted via the break caused by Katharina Sieverding's Transformers. In: Natalia Igl & Martina Sauer (eds.).
Frames and Framing: Dynamic Nature and Material Cognitive Interplays, special issue Zeitschrift für Semiotik, 3/4.
Institute for Image and Cultural Philosophy, Martina Sauer PhD Phil
and her student B.A. candidate in design, Charlotte Engelke, form the Fresenius University of Applied Sciences, AMD, Hamburg,
and the host institution: Department of Food and Drug Sciences, University of Parma, Italy, Giuseppe Di Cesare, PhD Med
Research Project
Summer Term 2025
Neurosciences and Humanities:
Affective Perception - Synchronization Effect - Design
What constitutes synchronization effects (coordination processes) of opinions, ideas, attitudes in a community? Why and how do they occur? To what extent does this also take place through images?
They are the neuroscientist Giuseppe Di Cesare from the research group form Parma in Italy on mirror neurons and vitality forms and philosopher and image scientist Martina Sauer form the Institute for Image and Cultural Philosophy from Germany and her research on vitality semiotics (VS) and her former student, the B.A. candidate in design, Charlotte Engelke, form the Fresenius University of Applied Sciences, AMD, Hamburg, who in their joint research project in Parma are specifically investigating on a neuroscientific basis how synchronization effects are stimulated through design.
Literature
Di Cesare, Giuseppe et al. The neuronal basis of vitality forms. In National Science Review 7 (2020), 202—13
Lombardi, Giada and Giuseppe Di Cesare. From Neuroscience to Art:
The Role of “Vitality Forms” in the Investigation of Multimodality. In: Art Style 10, special issue on Multimodality, edited by Martina Sauer and Christiane Wagner, 09/2022, 11—23
Lombardi, Giada, Martina Sauer and Giuseppe di Cesare. An Affective Perception: How “Vitality Forms” Influence Our Mood? In: Art Style 11, special issue on Atmosphere and Mood, edited by Martina Sauer & Zhufez Wang, 03/2023: 127—39
Sauer, Martina. Abstract — Affective — Multimodal. On the processing of moving images following Cassirer, Langer and Krois. In: Bildkörper. On the relationship between image technologies and embodiment, hrsg. v. Lars Christian Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz. Büchner: Darmstadt 2016, 46—71
Sauer, Martina. Developmental Psychology / Neuroscience and Art History - A Contribution to the Discussion of Form as the Basis of Perception and Design Principles. In: ejournal.net, June 2011, 1—10.
Sauer, Martina.Marshall McLuhan in a new light. Old and new methods of influencing emotions in communities of the electronic age. In: Lars Grabbe, Andrew McLuhan & Tobias Held (eds.). Beyond media literacy. Marburg: Büchner 2023, 14-32.
Sauer, Martina. Vitality Semiotics (VS) and the Implications of Synchronization in Frames. Highlighted via the break caused by Katharina Sieverding's Transformers. In: Natalia Igl & Martina Sauer (eds.). Frames and Framing: Dynamic Nature and Material Cognitive Interplays, special issue Zeitschrift für Semiotik, 3/4.
Institute for Image and Cultural Philosophy, Martina Sauer PhD Phil
and her student B.A. candidate in design, Charlotte Engelke, form the Fresenius University of Applied Sciences, AMD, Hamburg,
and the host institution: Department of Food and Drug Sciences, University of Parma, Italy, Giuseppe Di Cesare, PhD Med
Research Project
Summer Term 2025
Neurosciences and Humanities:
Affective Perception - Synchronization Effect - Design
What constitutes synchronization effects (coordination processes) of opinions, ideas, attitudes in a community? Why and how do they occur? To what extent does this also take place through images?
They are the neuroscientist Giuseppe Di Cesare from the research group form Parma in Italy on mirror neurons and vitality forms and philosopher and image scientist Martina Sauer form the Institute for Image and Cultural Philosophy from Germany and her research on vitality semiotics (VS) and her former student, the B.A. candidate in design, Charlotte Engelke, form the Fresenius University of Applied Sciences, AMD, Hamburg, who in their joint research project in Parma are specifically investigating on a neuroscientific basis how synchronization effects are stimulated through design.
Literature
Di Cesare, Giuseppe et al. The neuronal basis of vitality forms. In National Science Review 7 (2020), 202—13
Lombardi, Giada and Giuseppe Di Cesare. From Neuroscience to Art:
The Role of “Vitality Forms” in the Investigation of Multimodality. In: Art Style 10, special issue on Multimodality, edited by Martina Sauer and Christiane Wagner, 09/2022, 11—23
Lombardi, Giada, Martina Sauer and Giuseppe di Cesare. An Affective Perception: How “Vitality Forms” Influence Our Mood? In: Art Style 11, special issue on Atmosphere and Mood, edited by Martina Sauer & Zhufez Wang, 03/2023: 127—39
Sauer, Martina. Abstract — Affective — Multimodal. On the processing of moving images following Cassirer, Langer and Krois. In: Bildkörper. On the relationship between image technologies and embodiment, hrsg. v. Lars Christian Grabbe, Patrick Rupert-Kruse, Norbert M. Schmitz. Büchner: Darmstadt 2016, 46—71
Sauer, Martina. Developmental Psychology / Neuroscience and Art History - A Contribution to the Discussion of Form as the Basis of Perception and Design Principles. In: ejournal.net, June 2011, 1—10.
Sauer, Martina.Marshall McLuhan in a new light. Old and new methods of influencing emotions in communities of the electronic age. In: Lars Grabbe, Andrew McLuhan & Tobias Held (eds.). Beyond media literacy. Marburg: Büchner 2023, 14-32.
Sauer, Martina. Vitality Semiotics (VS) and the Implications of Synchronization in Frames. Highlighted via the break caused by Katharina Sieverding's Transformers. In: Natalia Igl & Martina Sauer (eds.). Frames and Framing: Dynamic Nature and Material Cognitive Interplays, special issue Zeitschrift für Semiotik, 3/4.
Institute for Image and Cultural Philosophy
Dr. phil. Martina Sauer
Wörthstraße 1
Germany - 77815 Bühl (Baden-Baden)